Towards a Theory of Montage: Sergei Eisenstein Selected Works
- Author: Sergei Eisenstein
- Year: 15-11-2012
- Translator from Russian: Vladimir Ignatovsky
- Availability: In Stock
- Product Code: 1016-01
- SKU: 13.0048
- ISBN: 978-619-152-116-6
- Read an excerpt:
At an office of Econt 3.60 BGN
At personal address - 6.00 BGN
Free shipping in Bulgaria for orders above 50 BGN. to an Econt office
In order to read our eBooks you have to download Adobe Digital Editions and register on the Adobe website as well. The DRM protected eBooks can not be converted or read on Amazon Kindle devices.
We are delighted to announce the reissue in paperback of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film -- and one of the most original aesthetic thinkers of the twentieth century.
The name of Sergei Eisenstein (1898-1948) is synonymous with the idea of montage, as exemplified in his silent classics such as The Battleship Potemkin (1925) and October (1927). In the 1930s his style changed, partly to accommodate the arrival of sound, and his ideas on audio-visual counterpoint developed. Between 1937 and 1940 he elaborated his ideas on montage in a series of essays, most of which remained unpublished until after his death and which are published in English for the first time in this volume. They present the essence of Eisenstein’s thinking on cinema and aesthetics more generally and reveal him as one of the most significant philosophers of art of the twentieth century.
Twelve essays were written between 1928 and 1945 that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium.
About the Author
|Translator||from Russian: Vladimir Ignatovsky|
|Genre||Science of Art, Cinema & Television|